Dj Mulli Mulls

Vinyl Turntablist mixin every genre, mainly HipHop Rap, Trap, EDM, B-more and Reggae to cultivate music for my listeners. Producer (A Mulli Prod.) check out the latest sounds on the soundcloud.com/DjMulliMulls

Logic - Hip Hop artist  

First article on Diversal.org - http://diversal.org/music/item/64-logic?highlight=WyJsb2dpYyJd 

Everybody album review by Moonkid Max - http://diversal.org/creative-service-3/item/460-logic-everybody-album-review?highlight=WyJsb2dpYyJd

Shannon Vogel

Hello World! I am a Digital Media Major with a minor in Graphic Design and certificate in Advertising from Marist College . My passion for greatness drives me in every aspect in life. I love all types of physical activities--anything that gets me moving and enjoying the outdoors. One of my biggest dreams is to travel the world so living life to the fullest is something that continues to grow in me everyday. I am excited to share my ideas and use my art to make my mark on the world. - Shannon Vogel

instrumentals

Tai Wo

Positive lyrcis coming out of Richmond, Virginia! 

Check out his youtube here, and his videos below. 

Red: A Cyberpunk Fairytale

Red: A Cyberpunk Fairytale tells the story of Red, a member of a private security firm. She lives, works, and tries to survive in a futuristic world that is spiraling into a violent police state.

Amanda Rothschild recieved her BFA in Painting with minors in Art History and Anthropology from Washington University in St. Louis. She now lives in New York City as she continues to produce amazing pieces while working at The Met (Metropolitan Museum of New York).

Her paintings, primarily done in oil, focus on emphasizing and beautifying otherwise mundane places and objects through the physicality of a painted surface.  She works with overlooked objects, often those found in an average home, including microwaves and countertops, especially focusing on sinks and drains. These paintings use areas of abstraction combined with areas of precise detail that give these objects a life and narrative separate from their original utilitarian usage. During her years at Washington University in St. Louis she has been featured in a number of student shows including Knuckle Knuckle: a Junior Painting show, and Community Visuals: A Student Exhibition in Two Dimensions. She has served as both treasurer and president of the Art School Council and was an active member of the Undergraduate Council, while also serving on the Undergraduate Experience Committee. She was nominated for the Eileen Battell Stoeckel fellowship in the spring of 2013 and received the Eda L. and Clarence C. Cushing Memorial Prize in Painting in 2013. Prior to her managing role at The Met, Amanda worked as a Studio Assistant in the studio of St. Louis based artist John Sarra and worked as a Museum Teaching Intern at the Saint Louis Art Museum. _{(source: amandarothschild.com)} 

Ari Eshoo

Artist Statement: 

Relationships are fragile and complex.  Even casual social exchanges with the cashier at a deli can be flecked with sideways glances, facades or genuine sincerity.  It is difficult enough (and this is a gross understatement) to unearth the clouded veils that prevent one from attaining self knowledge, let alone trying to understand the subtle nuances in another person.  Language offers the freedom to break down some of these walls; however, there are not enough words to honestly describe many thoughts and feelings that run through one’s mind.  Do these barriers make forming relationships an impossible feat, or, is it these barriers that unite us?

I take cues from sitcom sets and theater props when making objects.  I use the spatial shallowness in stages and TV sets as a metaphor for emotional shallowness and depth.   Like props, my objects often have two distinct "sides," creating a level of expectation or anticipation for continuity and a surprise or disappointment in the actuality.  Like parallel lines the two sides will forever share a relationship without meeting - like a dog chasing its tail, the objects are faced with hope and dead ends.  

I employ images of self reflection; such as puddles and darkened windows (looking out becomes looking in when it is dark outside and you can see the interior instead of the exterior).  I am also fascinated by the parts of the face that one can see (the nose, cheekbone and brow) and the distorted views of the body from different perspectives.  The leaps of faith we must take or the paranoia we endure due to the limitations of our perspectives and vision is of great interest to me, and taps into ideas about what it is like to be a body as opposed to being in a body.

I also have a blog, in which I interview other artists to establish a community, gain different perspectives and spread ideas!